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Midas as of late and when you couple him with a the richest mouth in the game, we have something. They clash.įeaturing Birdman & Rick Ross Produced by Mannie Fresh Mouse Big Head steps up and does a lot better than that last song, but again, he just doesn’t sound good with Webbie on a track. Again, the lyrics are quite simple, but that’s his thing, and he does it well. Pulling from some bluesy jazz type inspiration, this song is a winner. I can see a marching band playing this in the streets. Big Head comes to add some cosigning from the camp, but this track could easily be done without his bars. Think Mike Jones’ “Back Then” with more talent and a better track. Clearly letting you know that this track is about those haters growin’ up that are acting like HE is the one trippin’. Triumphant horns serenade you as the track starts and Webbie opens with Imma tell’ya like a man, I don’t owe y’all shit / and imma say that shit again, I don’t owe y’all shit. The beat is crazy as hell though and will probably be a mixtape star akin to Rich Boys’ banger. Other than that hook, it’s the usual machismo and big willie talk. I’m hooooooooot, it’s my turn / I wouldn’t touch me cause my hand might burn / I’m cooooooold, ya already know / you can go by what you heard dependin’ on what they told’ya. The guitar had me amped, the beat had me interested….but the chorus is horrid. Webbie keeps it real simple and this is a summer jam that the dudes will be blastin’ from the 6 X 12’s at the park on Sunday as they swang the whip. Good track.įeaturing Lil’ Boosie, Lil’ Phat, & Shell of 3 DeepĪnother southern banger, Webbie brings it about, well, thuggin’.
A man talking about his son? You won’t catch me hating on this shit at all. In this track he raps about kickin’ it, raising his son and living life best as he can. We have a winner folks.įather and son stories? Sure, Webbie gotcha. Webbie returns to the alter ego of that smooth pimp and Dro adds his signature flow to the formula. This is one of the early favorites on the album. You take his beats and add one of the most slept on rappers in the game, you get a pretty sure fire hit.
I still think Mannie is one of the dopest producers from the South. Fun song, but you have been hearing it for months now.įeaturing Young Dro Produced by Mannie Fresh The catchy hook and newest anthem for the chickadees is simply the most complete track on the album. Rarely is the best song of the album the single, but this is the case here. Yeah, it’s a throwback, I didn’t know folks were really rockin’ bass raps anymore, but if Tum Tum can do it…įeaturing Lil’ Boosie & Lil’ Phat Produced by Mouse Anyway, our artist is here slangin’ linguistics about his, well, 6 X 12’ speakers. Then he follows up the smoothness of track one with what is supposed to be a bass track…I think. The beat is strictly pimp shit and Webbie does it justice with a chorus that chants “I’m too smooth”. I think this, is one of the better songs on the album. No intro, just straight shit out the gate. Let’s check out his official sophomore CD. Rolling with his boy Lil’ Boosie and the other label mates on the heels of his Billboard top 10 hit single “Independent”, he also adds Lil’ Phat, Mouse, Big Head, LeToya Luckett, Rick Ross, Young Dro, Bun B and some beats by Mannie Fresh.
Webbie reached gold status with his debut CD Savage Life on the back of “Give Me That “, the hit single.